Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 41
... Lyubov Orlova ] , Marina Ladynina . . . . Pyriev also worked with Dunayevsky who had enough flair to feel the different na- ture of his pictures . In Pyriev's films Dunayevsky does not offer suites of developed musical drama . The ...
... Lyubov Orlova ] , Marina Ladynina . . . . Pyriev also worked with Dunayevsky who had enough flair to feel the different na- ture of his pictures . In Pyriev's films Dunayevsky does not offer suites of developed musical drama . The ...
Síða 43
... Lyubov Orlova or Marina Ladynina in the musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec ...
... Lyubov Orlova or Marina Ladynina in the musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec ...
Síða 46
... ( Lyubov Orlova ) with the set design a mixture of Busby Berkeley and neoclassic Socialist Realist art . In Spring , the focus on solar energy foregrounds a solar energy experiment done by a woman scientist , played by Lyubov Orlova . The ...
... ( Lyubov Orlova ) with the set design a mixture of Busby Berkeley and neoclassic Socialist Realist art . In Spring , the focus on solar energy foregrounds a solar energy experiment done by a woman scientist , played by Lyubov Orlova . The ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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