Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 111
... Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces , start to explain ...
... Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces , start to explain ...
Síða 113
... Griffith between the two , they now appear to be connected through him , and he is there only because of a fluke of ... Griffith , and the Film Today , " what was wrong with Griffith's paral- lelism was that it delivered a rich versus ...
... Griffith between the two , they now appear to be connected through him , and he is there only because of a fluke of ... Griffith , and the Film Today , " what was wrong with Griffith's paral- lelism was that it delivered a rich versus ...
Síða 116
... Griffith's The Lonely Villa ( 1909 ) as Drama by Telephone ( 1918 ) , changing the ending for the Russian audience by returning the husband too late to save his wife whom he finds murdered by the robbers who threatened her ( Tsivian 7 ) ...
... Griffith's The Lonely Villa ( 1909 ) as Drama by Telephone ( 1918 ) , changing the ending for the Russian audience by returning the husband too late to save his wife whom he finds murdered by the robbers who threatened her ( Tsivian 7 ) ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York