Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 31,Útgáfur 1-2Indiana University Press, 2009 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 61
... scene we only over- hear as though in the next room , and which we almost certainly misunderstand ( at least until ... scene taken in as details , fragments , digressions . Although this is not the sexual primal scene , we ...
... scene we only over- hear as though in the next room , and which we almost certainly misunderstand ( at least until ... scene taken in as details , fragments , digressions . Although this is not the sexual primal scene , we ...
Síða 89
... scene is figured as a reading scene . In his proleptic mourning for the lost object the narrator here con- fronts the mirror of his own tomblike countenance— " like a sick man who ... recoils on catching sight in the glass , in the ...
... scene is figured as a reading scene . In his proleptic mourning for the lost object the narrator here con- fronts the mirror of his own tomblike countenance— " like a sick man who ... recoils on catching sight in the glass , in the ...
Síða 91
... scene , operates essentially as cameraman - peering through the aperture of the oeil de boeuf , frozen stiff ( cf. 3 : 858 ) by the sight of Charlus's own petrification- it is worth recalling that this bondage scene elsewhere elaborates ...
... scene , operates essentially as cameraman - peering through the aperture of the oeil de boeuf , frozen stiff ( cf. 3 : 858 ) by the sight of Charlus's own petrification- it is worth recalling that this bondage scene elsewhere elaborates ...
Efni
On E T A Hoffmanns | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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