Theater Games for the Classroom: A Teacher's HandbookNorthwestern University Press, 1986 - 233 síður This best-selling book by Viola Spolin offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years. |
From inside the book
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Síða
... ACTIVITY 69 PART OF A WHOLE , OCCUPATION 70 PART OF A WHOLE , RELATIONSHIP 71 Chapter 8 : MIRROR GAMES 72 Reflecting and Sharing What Is Observed ADAM'S SONS * 72 74 MIRROR 75 WHO IS THE MIRROR ? 75 FOLLOW THE FOLLOWER 76 Chapter 9 ...
... ACTIVITY 69 PART OF A WHOLE , OCCUPATION 70 PART OF A WHOLE , RELATIONSHIP 71 Chapter 8 : MIRROR GAMES 72 Reflecting and Sharing What Is Observed ADAM'S SONS * 72 74 MIRROR 75 WHO IS THE MIRROR ? 75 FOLLOW THE FOLLOWER 76 Chapter 9 ...
Síða
... ACTIVITY 108 Chapter 10 : COMMUNICATING WITH WORDS 109 HANDWRITING LARGE 110 HANDWRITING SMALL 110 HANDWRITING BLINDFOLDED 111 DUMB CRAMBO * 111 NAME SIX * 112 SINGING SYLLABLES * 113 KITTY WANTS A CORNER * 113 ISABELLA⭑ 114 PRINCESS ...
... ACTIVITY 108 Chapter 10 : COMMUNICATING WITH WORDS 109 HANDWRITING LARGE 110 HANDWRITING SMALL 110 HANDWRITING BLINDFOLDED 111 DUMB CRAMBO * 111 NAME SIX * 112 SINGING SYLLABLES * 113 KITTY WANTS A CORNER * 113 ISABELLA⭑ 114 PRINCESS ...
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Síða 11
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Efni
Preface | 1 |
1271 | 22 |
WARMUPS | 23 |
RHYTHMIC MOVEMENT GAMES | 30 |
TRANSFORMATION GAMES | 42 |
SENSORY GAMES | 56 |
PART OF A WHOLE GAMES | 67 |
WHERE WHO AND WHAT | 77 |
PLAYMAKING | 142 |
DEVELOPING MATERIAL | 150 |
STORYTELLING | 160 |
17 | 168 |
18 | 176 |
19 | 183 |
20 | 190 |
SCOPE SEQUENCE OF SKILLS | 208 |
Common terms and phrases
action activity actors agree allow audience ball become begin body bring build called chair Chapter character choose circle classroom communication continue conversation create Description develop dialogue discussion effects energy environment example exercise experience eyes face Feel feet fellow players floor plan Focus FOLLOW THE FOLLOWER gibberish give given hands head hear individual involvement Keep lines looking MIRROR motion move movement necessary Notes object onstage performance phrase physical picture play players playing area possible problem props reflect relation repeat response scene sense Share sidecoach simply sound space space objects space substance stage stand stay stop story storyteller teacher tell theater theater games things touch traditional turn understand Variation voice walk warm-up whole Workshop writing
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Group Work: Skills and Strategies for Effective Interventions Sondra Brandler,Camille P. Roman Engin sýnishorn í boði - 1999 |
Acting for Real: Drama Therapy Process, Technique, and Performance Renee Emunah Engin sýnishorn í boði - 1994 |