Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 15
Síða 186
... writes that " [ t ] he open architecture of the Internet and the World Wide Web " grants access to every place or site on the net equally.2 The speed with which simultane- ous information is available through networks " suggests that ...
... writes that " [ t ] he open architecture of the Internet and the World Wide Web " grants access to every place or site on the net equally.2 The speed with which simultane- ous information is available through networks " suggests that ...
Síða 190
... writes , must be free " to overstep those ultimate boundaries religion , decency , humane- ness , virtue , in a word , all our pretended obligations would like to prescribe to it . " 29 " This scepter of Venus you have before your eyes ...
... writes , must be free " to overstep those ultimate boundaries religion , decency , humane- ness , virtue , in a word , all our pretended obligations would like to prescribe to it . " 29 " This scepter of Venus you have before your eyes ...
Síða 207
... writes , " completes the positive movement beyond the spectacle and the trap of iden- tity bound up with its ( empty ) promise . " It " suspends the very force of the image , of capital's ' becoming image , ' which forms the ...
... writes , " completes the positive movement beyond the spectacle and the trap of iden- tity bound up with its ( empty ) promise . " It " suspends the very force of the image , of capital's ' becoming image , ' which forms the ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York