Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 169
... Visual Plea- sure and Narrative Cinema , ” of “ a hermetically sealed world which unwinds magi- cally , indifferent to the presence of the audience , producing for them a sense of separation and playing on their voyeuristic fantasy ...
... Visual Plea- sure and Narrative Cinema , ” of “ a hermetically sealed world which unwinds magi- cally , indifferent to the presence of the audience , producing for them a sense of separation and playing on their voyeuristic fantasy ...
Síða 221
... visual strategy ( figure 2 ) . Here , as the dramatic tempo begins to increase , the camera slows down , allowing the protagonists to move away while it pauses to contemplate a distraught mother who cradles her dead son in her arms ...
... visual strategy ( figure 2 ) . Here , as the dramatic tempo begins to increase , the camera slows down , allowing the protagonists to move away while it pauses to contemplate a distraught mother who cradles her dead son in her arms ...
Síða 229
... visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture ...
... visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York