Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 169
... Visual Plea- sure and Narrative Cinema , ” of “ a hermetically sealed world which unwinds magi- cally , indifferent to the presence of the audience , producing for them a sense of separation and playing on their voyeuristic fantasy ...
... Visual Plea- sure and Narrative Cinema , ” of “ a hermetically sealed world which unwinds magi- cally , indifferent to the presence of the audience , producing for them a sense of separation and playing on their voyeuristic fantasy ...
Síða 229
... visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture ...
... visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture ...
Síða 269
... Visual Culture in Mexico , 1917-1936 ( Duke University Press , 2008 ) , The Invention of Dolores Del Río ( University of Minnesota Press , 2000 ) , and Mexican Cinema / Mexican Woman : 1940–1950 ( University of Arizona Press , 1996 ) ...
... Visual Culture in Mexico , 1917-1936 ( Duke University Press , 2008 ) , The Invention of Dolores Del Río ( University of Minnesota Press , 2000 ) , and Mexican Cinema / Mexican Woman : 1940–1950 ( University of Arizona Press , 1996 ) ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York