Discourse, Bindi 32,Útgáfa 22010 |
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Síða 246
... morality in a post - sacred world . And , since mythmaking has lost its categorical and cohesive form , melodrama can resacralize the world only in personal terms . As a result , human conflict becomes the stage where virtue and evil ...
... morality in a post - sacred world . And , since mythmaking has lost its categorical and cohesive form , melodrama can resacralize the world only in personal terms . As a result , human conflict becomes the stage where virtue and evil ...
Síða 247
... virtue and evil as unmediated and uncompromising forces . The mode's historicity remains external to melodrama itself : if the meaning of virtue and evil were to shift , this change would have to take place outside melo- drama ...
... virtue and evil as unmediated and uncompromising forces . The mode's historicity remains external to melodrama itself : if the meaning of virtue and evil were to shift , this change would have to take place outside melo- drama ...
Síða 248
... virtue and evil . Adam ( Raymond Massey ) , a deeply religious farmer , has two sons : a good one ( Aron [ Rich- ard Davalos ] ) and a bad one ( Cal [ James Dean ] ) . As the bad son , Cal acts strangely , envies Aron , and tries to ...
... virtue and evil . Adam ( Raymond Massey ) , a deeply religious farmer , has two sons : a good one ( Aron [ Rich- ard Davalos ] ) and a bad one ( Cal [ James Dean ] ) . As the bad son , Cal acts strangely , envies Aron , and tries to ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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