Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 213
... viewer's knowledge of the dystopian world of Children of Men is delineated by what appears via its omnipresent audiovisual media . As co - viewers ( along with the film's characters ) of the various audiovisual stimuli that saturate the ...
... viewer's knowledge of the dystopian world of Children of Men is delineated by what appears via its omnipresent audiovisual media . As co - viewers ( along with the film's characters ) of the various audiovisual stimuli that saturate the ...
Síða 214
... viewer learns that through the success of its xenophobic milita- rist policies and aggressive program of particularist protectionism , Great Britain has managed to remain the only nation in the world to avoid total civil war and ...
... viewer learns that through the success of its xenophobic milita- rist policies and aggressive program of particularist protectionism , Great Britain has managed to remain the only nation in the world to avoid total civil war and ...
Síða 220
... viewer's attention to signs and symbols that tend to escape his attention . Towards the begin- ning of the film , for example , while Theo numbly and obliviously makes his way through the contemporary Waste Land that is Lon- don , the ...
... viewer's attention to signs and symbols that tend to escape his attention . Towards the begin- ning of the film , for example , while Theo numbly and obliviously makes his way through the contemporary Waste Land that is Lon- don , the ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York