Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 210
... Understanding New Media ( Cambridge , MA : MIT Press , 1999 ) , 239-40 . 61 Mark Hansen wisely leaves Stelarc out of his relevant discussion of affect - elic- iting heads and faces in “ Affect as Interface : Confronting the ' Digital ...
... Understanding New Media ( Cambridge , MA : MIT Press , 1999 ) , 239-40 . 61 Mark Hansen wisely leaves Stelarc out of his relevant discussion of affect - elic- iting heads and faces in “ Affect as Interface : Confronting the ' Digital ...
Síða 241
... understanding the inception of the melodramatic mode and , therefore , that the mode may oper- ate after this original anxiety has been overcome . In the specific case of a film like Stella Dallas , the melodramatic mode would more ...
... understanding the inception of the melodramatic mode and , therefore , that the mode may oper- ate after this original anxiety has been overcome . In the specific case of a film like Stella Dallas , the melodramatic mode would more ...
Síða 248
... understanding of virtue : it not only redefines virtue and evil in sec- ular terms but also thinks less of them as inherent characteristics of people than as relations between them . If the beginning of the film contrasts Cal and Aron ...
... understanding of virtue : it not only redefines virtue and evil in sec- ular terms but also thinks less of them as inherent characteristics of people than as relations between them . If the beginning of the film contrasts Cal and Aron ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York