Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 25
Síða 203
... takes on a role in the image which goes infinitely beyond the sensory - motor demands of the action , which takes the place of the face itself for the purpose of affects , and which , in the area of perception , becomes the mode of ...
... takes on a role in the image which goes infinitely beyond the sensory - motor demands of the action , which takes the place of the face itself for the purpose of affects , and which , in the area of perception , becomes the mode of ...
Síða 246
world has become spiritualized . Melodrama takes place in this spir- itual world inhabited by ideas . Furthermore ... take into account is that the loss of a firm ethical framework does not constitute an actual problem as much as a ...
world has become spiritualized . Melodrama takes place in this spir- itual world inhabited by ideas . Furthermore ... take into account is that the loss of a firm ethical framework does not constitute an actual problem as much as a ...
Síða 248
... takes after his mother Kate ( Jo Van Fleet ) , who left her family to run a brothel . After listening to her ... take care of him . Virtue ceases to mean righteous behavior to signify assumption of guilt and mutual understanding . As ...
... takes after his mother Kate ( Jo Van Fleet ) , who left her family to run a brothel . After listening to her ... take care of him . Virtue ceases to mean righteous behavior to signify assumption of guilt and mutual understanding . As ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York