Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 175
... symbolic violence insists on it . While the aesthetic of hyper - real violence is recognizably part of a concept of global cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to ...
... symbolic violence insists on it . While the aesthetic of hyper - real violence is recognizably part of a concept of global cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to ...
Síða 222
... symbolic component of his aesthetic practice . While the vaguely religious title of the film is clearly rele- vant to its content - the end of human days and a meditation on the pathos that comes with the contemplation of human ...
... symbolic component of his aesthetic practice . While the vaguely religious title of the film is clearly rele- vant to its content - the end of human days and a meditation on the pathos that comes with the contemplation of human ...
Síða 253
... symbolic position . As in many melodramas , what is at stake is never what one charac- ter does to another character per se , but what one does to one's father , one's mother , one's spouse , or one's son . For instance , in this first ...
... symbolic position . As in many melodramas , what is at stake is never what one charac- ter does to another character per se , but what one does to one's father , one's mother , one's spouse , or one's son . For instance , in this first ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York