Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 151
... suggests conceptual rupture within the communicative function , the narrative , and the signifying system of ... suggest this , of course , despite the fact that cinema itself boasts no filmic residue . Second , these films also seem to ...
... suggests conceptual rupture within the communicative function , the narrative , and the signifying system of ... suggest this , of course , despite the fact that cinema itself boasts no filmic residue . Second , these films also seem to ...
Síða 200
... suggest that the open model internalizes the social architecture of modern utopia in order to retain its construction ... suggests that Stelarc's projects are in some ways self - contradictory and can be read as ironic meditations on the ...
... suggest that the open model internalizes the social architecture of modern utopia in order to retain its construction ... suggests that Stelarc's projects are in some ways self - contradictory and can be read as ironic meditations on the ...
Síða 236
Melodrama and the Modes of the World Agustin Zarzosa Whereas the notion of genre suggests a category within an artistic medium , the notion of mode suggests affinities unencumbered by medium . For this reason , the argument that ...
Melodrama and the Modes of the World Agustin Zarzosa Whereas the notion of genre suggests a category within an artistic medium , the notion of mode suggests affinities unencumbered by medium . For this reason , the argument that ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York