Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 193
... structure that claims rhetorically to be self - sustaining and self - validating . It stages and promises a reflex- ive , self - authoring structure whose ability to repeat is a power of making present . " What's involved , " says ...
... structure that claims rhetorically to be self - sustaining and self - validating . It stages and promises a reflex- ive , self - authoring structure whose ability to repeat is a power of making present . " What's involved , " says ...
Síða 198
... structure of the work , as well as limited externally by the space of the screen on which it is reproduced . Both of these examples , then , show an internal limit that allows for the unfolding of endless variations , of iterations of ...
... structure of the work , as well as limited externally by the space of the screen on which it is reproduced . Both of these examples , then , show an internal limit that allows for the unfolding of endless variations , of iterations of ...
Síða 199
... structures that are not specified or intentionally programmed . Instead of consciously designing the entire structure , simple programs may be written to define the interactions between elements . Structure emerges from the discreet ...
... structures that are not specified or intentionally programmed . Instead of consciously designing the entire structure , simple programs may be written to define the interactions between elements . Structure emerges from the discreet ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York