Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 217
... spiritual themes of the film . ” 13 While in interviews and DVD bonus materials Cuarón is very forthright about his references to the sociopolitical realities of global late - capitalist society , he has been less explicit about what he ...
... spiritual themes of the film . ” 13 While in interviews and DVD bonus materials Cuarón is very forthright about his references to the sociopolitical realities of global late - capitalist society , he has been less explicit about what he ...
Síða 220
... spiritual value , as a commentary on the historic human condition as always faced with human failure and in need of transformation , and as a symbolic portrayal of the modern world as a spiritual waste land waiting for the voice of a ...
... spiritual value , as a commentary on the historic human condition as always faced with human failure and in need of transformation , and as a symbolic portrayal of the modern world as a spiritual waste land waiting for the voice of a ...
Síða 258
... spiritual practices . Asian Ameri- cans are at once too American and too foreign to be the true heirs of Asian spiritual traditions in the West . So while everyone else seems to benefit from being associated with Asian spirituality ...
... spiritual practices . Asian Ameri- cans are at once too American and too foreign to be the true heirs of Asian spiritual traditions in the West . So while everyone else seems to benefit from being associated with Asian spirituality ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York