Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 163
... specific place ? How might film change the status of the object it is projected onto ? How might the room of the filmic display change the way we conceive of the film ? Ultimately , we might say that in the filmic scenario one thing is ...
... specific place ? How might film change the status of the object it is projected onto ? How might the room of the filmic display change the way we conceive of the film ? Ultimately , we might say that in the filmic scenario one thing is ...
Síða 175
... specific cinema may be marked by a specific cultural context without recourse to the " homogenizing myths " of nationalism and national identity.14 Instead , we might recognize national cinema as a set of aesthetic and narrative ...
... specific cinema may be marked by a specific cultural context without recourse to the " homogenizing myths " of nationalism and national identity.14 Instead , we might recognize national cinema as a set of aesthetic and narrative ...
Síða 241
... specific case of a film like Stella Dallas , the melodramatic mode would more modestly question the specific articulations of virtue in a specific social context . This solution simply points to the actual problem : Brooks's conception ...
... specific case of a film like Stella Dallas , the melodramatic mode would more modestly question the specific articulations of virtue in a specific social context . This solution simply points to the actual problem : Brooks's conception ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York