Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 174
... sociopolitical violence , their attention is primarily focused on the effects of this violence on women's everyday lives . The central subject of both Sin dejar huella and Perfume de Vio- leta is violence ; specifically , the films ...
... sociopolitical violence , their attention is primarily focused on the effects of this violence on women's everyday lives . The central subject of both Sin dejar huella and Perfume de Vio- leta is violence ; specifically , the films ...
Síða 182
... sociopolitical forces such as drug dealing and neoliberal economic policies . However , the focus of Novaro's and Sistach's films is the effect of these forces on women's everyday lives and their social location within the enduring cult ...
... sociopolitical forces such as drug dealing and neoliberal economic policies . However , the focus of Novaro's and Sistach's films is the effect of these forces on women's everyday lives and their social location within the enduring cult ...
Síða 214
... politics that have enjoyed so much influence in the United States after 11 September 2001 ( aka 9/11 ) . The starkly current sociopolitical background of the film is complemented by a correspondingly bleak depiction of ecologi- cal ...
... politics that have enjoyed so much influence in the United States after 11 September 2001 ( aka 9/11 ) . The starkly current sociopolitical background of the film is complemented by a correspondingly bleak depiction of ecologi- cal ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York