Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
Niðurstöður 1 - 3 af 41
Síða 182
... social realities by local audiences who situate themselves as Mexi- can . I argue that films that address violence against women in the abstract lack the political awareness of particular manifestations of violence that might generate ...
... social realities by local audiences who situate themselves as Mexi- can . I argue that films that address violence against women in the abstract lack the political awareness of particular manifestations of violence that might generate ...
Síða 183
... social , his- torical , and political context . The interconnection between these two structures of meaning is assembled by audiences situated in particular relationships to the social context of production . Global spectators ...
... social , his- torical , and political context . The interconnection between these two structures of meaning is assembled by audiences situated in particular relationships to the social context of production . Global spectators ...
Síða 238
... social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is characterized by a sense of discontinuity that first resulted from the intense spiritual and social crises of the nineteenth ...
... social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is characterized by a sense of discontinuity that first resulted from the intense spiritual and social crises of the nineteenth ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York