Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
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Síða 177
... sense to Mexican audiences in that both films work to produce a cultural allegory through explicit social references by locating characters and actions within recognizable locations and social and historical moments . As Angus Fletcher ...
... sense to Mexican audiences in that both films work to produce a cultural allegory through explicit social references by locating characters and actions within recognizable locations and social and historical moments . As Angus Fletcher ...
Síða 202
... sense of touch alone confirms the materiality of things and thus their real existence . " 66 In a thought experiment in Traité des sensations ( 1754 ) , Condillac endows a statue with the senses one by one , but the statue can only say ...
... sense of touch alone confirms the materiality of things and thus their real existence . " 66 In a thought experiment in Traité des sensations ( 1754 ) , Condillac endows a statue with the senses one by one , but the statue can only say ...
Síða 247
... sense and purpose to the suffering that lingers after the failed attempts at coping with obedience . This unquestioned acceptance of the need for the ethical order leads Brooks to confuse cause and effect . Ultimately , he tries to ...
... sense and purpose to the suffering that lingers after the failed attempts at coping with obedience . This unquestioned acceptance of the need for the ethical order leads Brooks to confuse cause and effect . Ultimately , he tries to ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York