Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 151
... screen , a visible movement suggests conceptual rupture within the communicative function , the narrative , and the signifying system of representation . My ques- tion is whether we might call this phenomenon , this crisis of signi ...
... screen , a visible movement suggests conceptual rupture within the communicative function , the narrative , and the signifying system of representation . My ques- tion is whether we might call this phenomenon , this crisis of signi ...
Síða 156
... screen ; or more precisely hover- ing , like the psychoanalyst's listening , ready to catch on preferentially to some motif in the film.12 Thus , lacking a point of view by which our interest and look might be directed , we are left in ...
... screen ; or more precisely hover- ing , like the psychoanalyst's listening , ready to catch on preferentially to some motif in the film.12 Thus , lacking a point of view by which our interest and look might be directed , we are left in ...
Síða 261
... screen narratives . Stewart starts from the premise that the emer- gence of the digital involves a fundamental change in cinematic time . Frame time - the segmented time of film produced at twenty- four ( photographic ) frames per ...
... screen narratives . Stewart starts from the premise that the emer- gence of the digital involves a fundamental change in cinematic time . Frame time - the segmented time of film produced at twenty- four ( photographic ) frames per ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York