Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 25
Síða 168
... relation to death and dead bodies , to the return of the dead , and to spirits and ghosts " ( 218 ) , and , later , Freud gives us an idea why this might be : This is that an uncanny effect is often easily produced when the distinc ...
... relation to death and dead bodies , to the return of the dead , and to spirits and ghosts " ( 218 ) , and , later , Freud gives us an idea why this might be : This is that an uncanny effect is often easily produced when the distinc ...
Síða 198
... relationship between the image and its code . There is a necessary relation between this figuration and the programs that express it , but it is not possible to speak of the unity of a work of art in the way one can attribute it to ...
... relationship between the image and its code . There is a necessary relation between this figuration and the programs that express it , but it is not possible to speak of the unity of a work of art in the way one can attribute it to ...
Síða 199
... relation to the environment . The structures generated through this process cannot be anticipated and evolves [ sic ] ... through interacting with the software.57 So Reas's work aims to state a principle for emergent algorithmic art ...
... relation to the environment . The structures generated through this process cannot be anticipated and evolves [ sic ] ... through interacting with the software.57 So Reas's work aims to state a principle for emergent algorithmic art ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York