Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 214
... reality , all photographed with an utterly realist style . Through Cuarón's diegetic use of media images and other textual elements ( such as newsprint clippings papering walls , and graffiti ) , the viewer learns that through the ...
... reality , all photographed with an utterly realist style . Through Cuarón's diegetic use of media images and other textual elements ( such as newsprint clippings papering walls , and graffiti ) , the viewer learns that through the ...
Síða 217
... reality that we are living today . " 12 He continues , saying that " the exercise was to transcend not only reality , but also to cross - reference within the film to the spiritual themes of the film . " 13 While in interviews and DVD ...
... reality that we are living today . " 12 He continues , saying that " the exercise was to transcend not only reality , but also to cross - reference within the film to the spiritual themes of the film . " 13 While in interviews and DVD ...
Síða 237
... reality that emerges from such an effort . Only as an urge to orga- nize and dramatize experience does the melodramatic mode act upon the world and shape cultural texts . As a model of reality , a mode does not properly exist ( that is ...
... reality that emerges from such an effort . Only as an urge to orga- nize and dramatize experience does the melodramatic mode act upon the world and shape cultural texts . As a model of reality , a mode does not properly exist ( that is ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York