Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 180
... provides us with a documentary directness that simulta- neously avoids any trace of sensationalism . The scene in which Yes- sica is raped is a model of visual restraint . The rapist grabs Yessica as she walks down the street and drags ...
... provides us with a documentary directness that simulta- neously avoids any trace of sensationalism . The scene in which Yes- sica is raped is a model of visual restraint . The rapist grabs Yessica as she walks down the street and drags ...
Síða 213
... provides a compelling response to the aphorism attributed to Lenin : that eth- ics are the aesthetics of the future ... provide much of the expository information , so that the viewer's knowledge of the dystopian world of Children of Men ...
... provides a compelling response to the aphorism attributed to Lenin : that eth- ics are the aesthetics of the future ... provide much of the expository information , so that the viewer's knowledge of the dystopian world of Children of Men ...
Síða 231
... provide the most plentiful oppor- tunities for employment . The heroes , by themselves or with rebellious groups , go ... provides the [ NBF ] films ' rationale for lots of action and bloodletting . Despite their penchant for gratuitous ...
... provide the most plentiful oppor- tunities for employment . The heroes , by themselves or with rebellious groups , go ... provides the [ NBF ] films ' rationale for lots of action and bloodletting . Despite their penchant for gratuitous ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York