Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 151
... present a variety of images that depict or reflect a " world " that leaks , stains , and traps its partici- pants in the muck of material , task , and time ; they present myriad materials that are semitransparent , on the verge of being ...
... present a variety of images that depict or reflect a " world " that leaks , stains , and traps its partici- pants in the muck of material , task , and time ; they present myriad materials that are semitransparent , on the verge of being ...
Síða 188
... present and past are different , but coexist in the image : [ T ] he image has to be present and past , still present and already past , at once and the same time . If it was not already past at the same time as present , the present ...
... present and past are different , but coexist in the image : [ T ] he image has to be present and past , still present and already past , at once and the same time . If it was not already past at the same time as present , the present ...
Síða 213
... Present The movie is loosely adapted from P. D. James's novel Children of Men ( 1992 ) , which , according to the author , sprang from the ques- tion “ If there were no future , how would we behave ? ” The film , which links its vision ...
... Present The movie is loosely adapted from P. D. James's novel Children of Men ( 1992 ) , which , according to the author , sprang from the ques- tion “ If there were no future , how would we behave ? ” The film , which links its vision ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York