Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 10
Síða 219
... postmodern pastiche , which he defines alter- nately as either “ blank parody " or " the random cannibalization of all the styles of the past , the play of random stylistic allusion . ” ” Jameson has decried pastiche as one more symptom ...
... postmodern pastiche , which he defines alter- nately as either “ blank parody " or " the random cannibalization of all the styles of the past , the play of random stylistic allusion . ” ” Jameson has decried pastiche as one more symptom ...
Síða 229
... postmodern era , as W. J. T. Mitchell avers , visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social ...
... postmodern era , as W. J. T. Mitchell avers , visual cul- ture actually allows us to ask important questions about the politics of representation ( and the representation of politics ) and the dia- lectical construction of the social ...
Síða 230
... postmodern culture . As a postmodern , doubly coded text , Cuarón's film is at once appealing and comprehensible to nonspecialized viewers while it can also be read as a complex , highly allusive - indeed transformative - read- ing of ...
... postmodern culture . As a postmodern , doubly coded text , Cuarón's film is at once appealing and comprehensible to nonspecialized viewers while it can also be read as a complex , highly allusive - indeed transformative - read- ing of ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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