Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 187
... position , " [ T ] he net wires the world for Hegelian Geist . " 12 " 13 This view of the Internet is often applied to the ontology of computer - based art , though the two are different and separate top- ics . Alan Golding provides a ...
... position , " [ T ] he net wires the world for Hegelian Geist . " 12 " 13 This view of the Internet is often applied to the ontology of computer - based art , though the two are different and separate top- ics . Alan Golding provides a ...
Síða 252
The film moves steadily toward the dissolution of their respec- tive symbolic positions . Silvano renounces his position as prefect after incarcerating Cruz , and begins to behave like Cruz , losing his temper and brutally beating up ...
The film moves steadily toward the dissolution of their respec- tive symbolic positions . Silvano renounces his position as prefect after incarcerating Cruz , and begins to behave like Cruz , losing his temper and brutally beating up ...
Síða 253
... position . As in many melodramas , what is at stake is never what one charac- ter does to another character per se ... positions as external forces that inflict suffering on a truer self . However , the condemning stare of victims ...
... position . As in many melodramas , what is at stake is never what one charac- ter does to another character per se ... positions as external forces that inflict suffering on a truer self . However , the condemning stare of victims ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York