Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 165
... object of study , and as an operational phenomenon with the taxonomy of signification.22 What if , then , we take this ... objects enfolded in a queer , queering matrix even as they are violently , always , and , of course , already made ...
... object of study , and as an operational phenomenon with the taxonomy of signification.22 What if , then , we take this ... objects enfolded in a queer , queering matrix even as they are violently , always , and , of course , already made ...
Síða 187
... objects are said to have no commerce with and supposed not to depend on analog environments , a totalizing vision against which some critics have cautioned . " As Mark Taylor sums up the position , " [ T ] he net wires the world for ...
... objects are said to have no commerce with and supposed not to depend on analog environments , a totalizing vision against which some critics have cautioned . " As Mark Taylor sums up the position , " [ T ] he net wires the world for ...
Síða 198
... objects , here the differentiation between one and many objects is not tenable . The images on the screen are not discrete objects , least of all from the materialist point of view celebrated by Deleuze , where the world of matter ...
... objects , here the differentiation between one and many objects is not tenable . The images on the screen are not discrete objects , least of all from the materialist point of view celebrated by Deleuze , where the world of matter ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York