Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 154
... narrative . Because this scene is comprised of an erratic assemblage of establishing shots , however , Barney inverts the function of that cinematic tool . He disorients us . And , thus , none of the shots provides the definitive ...
... narrative . Because this scene is comprised of an erratic assemblage of establishing shots , however , Barney inverts the function of that cinematic tool . He disorients us . And , thus , none of the shots provides the definitive ...
Síða 261
... narrative screen " ( 3 ) . Such an historicization , Stewart argues , requires a new mode of narrative analysis - narratography - that is able to account for not only the structural organization of plot ( à la David Bordwell's formalist ...
... narrative screen " ( 3 ) . Such an historicization , Stewart argues , requires a new mode of narrative analysis - narratography - that is able to account for not only the structural organization of plot ( à la David Bordwell's formalist ...
Síða 262
... narrative of memory erasure is replicated in the film's freeze - frames , narrative looping , and its final fade to white , from profilmic snowfall to pure projected light . While narratology is capable of explaining how such a narrative ...
... narrative of memory erasure is replicated in the film's freeze - frames , narrative looping , and its final fade to white , from profilmic snowfall to pure projected light . While narratology is capable of explaining how such a narrative ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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