Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
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Síða 183
... meaning . Formal structures of meaning are those that are produced through narrative and other cinematic practices such as editing , composition , and the design of the mise - en - scène , for example . Social structures of meaning are ...
... meaning . Formal structures of meaning are those that are produced through narrative and other cinematic practices such as editing , composition , and the design of the mise - en - scène , for example . Social structures of meaning are ...
Síða 217
... meaning but hiding from the world and awaiting his inevitable death . The barren urban landscape of Cuarón's Lon- don and the existential malaise of his characters generally reflects the atmosphere of Eliot's London and the shadowy ...
... meaning but hiding from the world and awaiting his inevitable death . The barren urban landscape of Cuarón's Lon- don and the existential malaise of his characters generally reflects the atmosphere of Eliot's London and the shadowy ...
Síða 231
a functional politicized meaning . The film's referential complexity , drawing from works by T. S. Eliot , Botticelli , Michelangelo , John Lennon , Donovan , John Tavener , Pablo Picasso , and the Upani- shads , among many others ...
a functional politicized meaning . The film's referential complexity , drawing from works by T. S. Eliot , Botticelli , Michelangelo , John Lennon , Donovan , John Tavener , Pablo Picasso , and the Upani- shads , among many others ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York