Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 21
Síða 155
... identity is not just malleable , but one that is visibly defined by the physical situation in which the body finds itself and in which it performs ; thus , this figure's identity is not made manifest by the qualities that emanate from ...
... identity is not just malleable , but one that is visibly defined by the physical situation in which the body finds itself and in which it performs ; thus , this figure's identity is not made manifest by the qualities that emanate from ...
Síða 167
... identity , even if that identity is queer . For instance , Butler suggests , If the genealogical critique of the subject is the interrogation of those constitutive and exclusionary relations of power through which contem- porary ...
... identity , even if that identity is queer . For instance , Butler suggests , If the genealogical critique of the subject is the interrogation of those constitutive and exclusionary relations of power through which contem- porary ...
Síða 175
... identity . While there is no question that violence against women is a global epidemic , Sin dejar huella and ... identities complicated by race and class divisions.16 Although I rejected the notion that we could define women's or ...
... identity . While there is no question that violence against women is a global epidemic , Sin dejar huella and ... identities complicated by race and class divisions.16 Although I rejected the notion that we could define women's or ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York