Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 220
... human condition as always faced with human failure and in need of transformation , and as a symbolic portrayal of the modern world as a spiritual waste land waiting for the voice of a new vision . 30 As an oblique adaptation of The ...
... human condition as always faced with human failure and in need of transformation , and as a symbolic portrayal of the modern world as a spiritual waste land waiting for the voice of a new vision . 30 As an oblique adaptation of The ...
Síða 228
... human rights , that carries with it the shared obligations and responsibilities of common , collaborative citizenship . 42 Unfortunately , the events of 9/11 provided certain political actors the occasion to do exactly the opposite ...
... human rights , that carries with it the shared obligations and responsibilities of common , collaborative citizenship . 42 Unfortunately , the events of 9/11 provided certain political actors the occasion to do exactly the opposite ...
Síða 241
... human experi- ence rather than as an artistic response to a specific social experi- ence , problems of cultural translation disappear . Modes act historically but not because they mediate aesthetic forms and social experience : rather ...
... human experi- ence rather than as an artistic response to a specific social experi- ence , problems of cultural translation disappear . Modes act historically but not because they mediate aesthetic forms and social experience : rather ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York