Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
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Síða 203
and I feel this contact like a hand , and the hand recreates me . Until now , I thought I saw , but had no eyes : now I have eyes ! . . . I exist . And recre- ated , I in my turn create . ' 72 Kelvin's own fantasies come to life in the ...
and I feel this contact like a hand , and the hand recreates me . Until now , I thought I saw , but had no eyes : now I have eyes ! . . . I exist . And recre- ated , I in my turn create . ' 72 Kelvin's own fantasies come to life in the ...
Síða 211
... hand , that is stimulated simultaneously in the same way as we are ( in this case , the subject's hidden real hand ) , we can confuse our body with that of the representation . Subjects thought a rubber hand was their own in this ...
... hand , that is stimulated simultaneously in the same way as we are ( in this case , the subject's hidden real hand ) , we can confuse our body with that of the representation . Subjects thought a rubber hand was their own in this ...
Síða 253
... hand against his own father . ” Cruz is the agent of an idea that oppresses not only those around him but also an aspect of himself . Melodrama expresses this aspect of the self - an affliction — as an aspiration buried by social ideas ...
... hand against his own father . ” Cruz is the agent of an idea that oppresses not only those around him but also an aspect of himself . Melodrama expresses this aspect of the self - an affliction — as an aspiration buried by social ideas ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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