Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 151
... function , the narrative , and the signifying system of representation . My ques- tion is whether we might call this phenomenon , this crisis of signi- fication , queer . Here is the basic stipulation . Across five films called CREMAS ...
... function , the narrative , and the signifying system of representation . My ques- tion is whether we might call this phenomenon , this crisis of signi- fication , queer . Here is the basic stipulation . Across five films called CREMAS ...
Síða 196
... function of permutation and endless potential , and so as natural a function as any other produced by / in plenitude . Any being may be imagined in space , and all space would be penetrated , ultimately , by the infinitely allowable ...
... function of permutation and endless potential , and so as natural a function as any other produced by / in plenitude . Any being may be imagined in space , and all space would be penetrated , ultimately , by the infinitely allowable ...
Síða 203
... functions to content itself with a pure touching . The condition of manual success is that the hand not itself be regi ... function ( of space ) . " " And yet while touching can appear to be merely physical , it affirms a tradi- tional ...
... functions to content itself with a pure touching . The condition of manual success is that the hand not itself be regi ... function ( of space ) . " " And yet while touching can appear to be merely physical , it affirms a tradi- tional ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York