Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 151
... filmic material and narrative sign system is to name the most conspicuous feature of the filmic work of the artist Matthew Barney . In particular , the symbolic , ritual - bound , and contingent sign is reproduced within the films in ...
... filmic material and narrative sign system is to name the most conspicuous feature of the filmic work of the artist Matthew Barney . In particular , the symbolic , ritual - bound , and contingent sign is reproduced within the films in ...
Síða 156
... filmic obstacle . And , ultimately , the filmic condition appears to be rendered through the film's visuals . So we very well may ask why this situation happens , or who this figure is , and those ques- tions remain posed and ...
... filmic obstacle . And , ultimately , the filmic condition appears to be rendered through the film's visuals . So we very well may ask why this situation happens , or who this figure is , and those ques- tions remain posed and ...
Síða 163
... filmic , with the frame has a profound impact on how the film means . Thus , when we see through film , or fail to see it , or when we look into and past film for an unfolding story , we are addressing only one part of that medi- um's ...
... filmic , with the frame has a profound impact on how the film means . Thus , when we see through film , or fail to see it , or when we look into and past film for an unfolding story , we are addressing only one part of that medi- um's ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York