Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 151
... filmic material and narrative sign system is to name the most conspicuous feature of the filmic work of the artist Matthew Barney . In particular , the symbolic , ritual - bound , and contingent sign is reproduced within the films in ...
... filmic material and narrative sign system is to name the most conspicuous feature of the filmic work of the artist Matthew Barney . In particular , the symbolic , ritual - bound , and contingent sign is reproduced within the films in ...
Síða 163
... filmic display change the way we conceive of the film ? Ultimately , we might say that in the filmic scenario one thing is projected on top of another thing ; when , as in CREMASTER 3 , this is made explicit by the film itself , medium ...
... filmic display change the way we conceive of the film ? Ultimately , we might say that in the filmic scenario one thing is projected on top of another thing ; when , as in CREMASTER 3 , this is made explicit by the film itself , medium ...
Síða 164
... filmic strictures that seems like resistance : resistance to cinematic progress , resistance to filmic invisibility , not to mention cinema's status as spectacle that unfolds in front us , as separate . Instead , we are acutely aware of ...
... filmic strictures that seems like resistance : resistance to cinematic progress , resistance to filmic invisibility , not to mention cinema's status as spectacle that unfolds in front us , as separate . Instead , we are acutely aware of ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York