Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 154
... face , with its large black orbs of eyes - a face that is difficult to discern in the dark surround of dirt ) . In every shot , however , the stability of the frame is remarkable , as is its duration and neutral deliberateness . When ...
... face , with its large black orbs of eyes - a face that is difficult to discern in the dark surround of dirt ) . In every shot , however , the stability of the frame is remarkable , as is its duration and neutral deliberateness . When ...
Síða 159
... face to face with the club's maître d ' ( although there is no dia- logue in this scene , or anywhere in this film , to tell us who this man is - only the fact that he stands behind what looks to be a reception table facing the bank of ...
... face to face with the club's maître d ' ( although there is no dia- logue in this scene , or anywhere in this film , to tell us who this man is - only the fact that he stands behind what looks to be a reception table facing the bank of ...
Síða 160
... faces of the maître d ' and of Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead ...
... faces of the maître d ' and of Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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