Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 229
... expression is central to Cuarón's filmic practice , representing a key element of his per- sonal style . Children of Men's complexly allusive cinematic structure invites the viewer into a mutual contemplation of shared cultural ...
... expression is central to Cuarón's filmic practice , representing a key element of his per- sonal style . Children of Men's complexly allusive cinematic structure invites the viewer into a mutual contemplation of shared cultural ...
Síða 238
... expression.10 In " Tales of Sound and Fury , " Thomas Elsaesser draws the same distinction between melodrama as a mode of social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is ...
... expression.10 In " Tales of Sound and Fury , " Thomas Elsaesser draws the same distinction between melodrama as a mode of social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is ...
Síða 241
... expression , modes are dramatic strategies that open experience to history by providing human action with an aim that involves the transformation of the self and of the world . As I argue in the following section , modes are concerned ...
... expression , modes are dramatic strategies that open experience to history by providing human action with an aim that involves the transformation of the self and of the world . As I argue in the following section , modes are concerned ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York