Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 246
... explains . The loss of an ethical framework involves anxiety not because of the loss itself but because such a loss ren- ders suffering senseless . For this reason , melodrama does not really attempt to rebuild a shattered ethical order ...
... explains . The loss of an ethical framework involves anxiety not because of the loss itself but because such a loss ren- ders suffering senseless . For this reason , melodrama does not really attempt to rebuild a shattered ethical order ...
Síða 247
... explanation of ethics suggests that what pro- duces anxiety is not the loss of an ethical order per se , but rather ... explain the emergence of melodrama through the failure of previous efforts to give sense to suffering , bypassing the ...
... explanation of ethics suggests that what pro- duces anxiety is not the loss of an ethical order per se , but rather ... explain the emergence of melodrama through the failure of previous efforts to give sense to suffering , bypassing the ...
Síða 251
... explains , Silvano and Cruz struggle to salvage their aspirations from the inalterable masks they are forced to wear.26 The second sphere consists in the space in which the private extends into the public , as Silvano searches in the ...
... explains , Silvano and Cruz struggle to salvage their aspirations from the inalterable masks they are forced to wear.26 The second sphere consists in the space in which the private extends into the public , as Silvano searches in the ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York