Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 229
... essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new ...
... essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new ...
Síða 233
... essay “ Sex , Class , and Mexico in Alfonso Cuarón's Y tu mamá también , ” Ernesto R. Acevedo - Muñoz calls this technique “ the wandering eye ( or ' I ' ) of the camera , " which , along with the extradiegetic narrator's voice ...
... essay “ Sex , Class , and Mexico in Alfonso Cuarón's Y tu mamá también , ” Ernesto R. Acevedo - Muñoz calls this technique “ the wandering eye ( or ' I ' ) of the camera , " which , along with the extradiegetic narrator's voice ...
Síða 237
... essay theorizes the melodramatic mode — and modes in general - not as a model of reality based on a set of ideas but as a strategy to solve practical problems of experience . Modes are not overarching conceptions of the world that ...
... essay theorizes the melodramatic mode — and modes in general - not as a model of reality based on a set of ideas but as a strategy to solve practical problems of experience . Modes are not overarching conceptions of the world that ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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