Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
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Síða 239
... dramatic works , but rather the configuration of experience as a dramatic scenario . Although the difference might seem slight , its repercussions are significant : the latter formulation enables us to appreciate that a configuration of ...
... dramatic works , but rather the configuration of experience as a dramatic scenario . Although the difference might seem slight , its repercussions are significant : the latter formulation enables us to appreciate that a configuration of ...
Síða 241
... dramatic strategies that open experience to history by providing human action with an aim that involves the transformation of the self and of the world . As I argue in the following section , modes are concerned mainly with the problem ...
... dramatic strategies that open experience to history by providing human action with an aim that involves the transformation of the self and of the world . As I argue in the following section , modes are concerned mainly with the problem ...
Síða 243
... dramatic solutions to this problem entail , first , a conception of the self ; second , an idea of the world ; and , third , a dramatic strategy to realize the essence of the self in the world . These modes are , in short , the dramatic ...
... dramatic solutions to this problem entail , first , a conception of the self ; second , an idea of the world ; and , third , a dramatic strategy to realize the essence of the self in the world . These modes are , in short , the dramatic ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York