Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
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Síða 189
... digital image " incorporates " the virtual within the actual as the lim- itless potential for the generation of other images from any part of itself , his formulation disavows the internal limit Deleuze assumes.24 The conception of the ...
... digital image " incorporates " the virtual within the actual as the lim- itless potential for the generation of other images from any part of itself , his formulation disavows the internal limit Deleuze assumes.24 The conception of the ...
Síða 194
... Digital Utopias of the Limit : Software Structures The structure of bounded space produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent digital art . My exemplary case study is ...
... Digital Utopias of the Limit : Software Structures The structure of bounded space produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent digital art . My exemplary case study is ...
Síða 199
... digital art , expressed so well in its relation to conceptual and minimalist art ; it also enacts the idea of an abyssal ontology of the digital artifact . It shows that the internal limit can be differential , infinite , and ...
... digital art , expressed so well in its relation to conceptual and minimalist art ; it also enacts the idea of an abyssal ontology of the digital artifact . It shows that the internal limit can be differential , infinite , and ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York