Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 175
... cultural specificity . According to Stephen Crofts , a nation- ally specific cinema may be marked by a specific cultural context without recourse to the " homogenizing myths " of nationalism and national identity.14 Instead , we might ...
... cultural specificity . According to Stephen Crofts , a nation- ally specific cinema may be marked by a specific cultural context without recourse to the " homogenizing myths " of nationalism and national identity.14 Instead , we might ...
Síða 229
... cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new perspective . Set against this fragmented tradi- tion , the individual proves equally unstable ...
... cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new perspective . Set against this fragmented tradi- tion , the individual proves equally unstable ...
Síða 235
... Cultural Practice at the End , ed . Richard Dellam- ora , New Cultural Studies series ( Philadelphia : University of Pennsylvania Press , 1995 ) , 182–98 , quotation on 186 . 44 Ben Wheeler , " Reality Is What You Can Get Away With ...
... Cultural Practice at the End , ed . Richard Dellam- ora , New Cultural Studies series ( Philadelphia : University of Pennsylvania Press , 1995 ) , 182–98 , quotation on 186 . 44 Ben Wheeler , " Reality Is What You Can Get Away With ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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