Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 187
... continues this line . of thought in a more recent project on gamespace : In gamespace , the very possibility of utopia is foreclosed . It is no longer possible to describe a shining city upon the hill , as if it were a special topic ...
... continues this line . of thought in a more recent project on gamespace : In gamespace , the very possibility of utopia is foreclosed . It is no longer possible to describe a shining city upon the hill , as if it were a special topic ...
Síða 217
... continues , saying that " the exercise was to transcend not only reality , but also to cross - reference within the film to the spiritual themes of the film . ” 13 While in interviews and DVD bonus materials Cuarón is very forthright ...
... continues , saying that " the exercise was to transcend not only reality , but also to cross - reference within the film to the spiritual themes of the film . ” 13 While in interviews and DVD bonus materials Cuarón is very forthright ...
Síða 220
... continues , [ T ] he allusions , quotations , and references to fertility rituals , Christ , and the Grail place individual emotion in the contexts of history and myth . The poem can thus be read in many layers , as a personal ...
... continues , [ T ] he allusions , quotations , and references to fertility rituals , Christ , and the Grail place individual emotion in the contexts of history and myth . The poem can thus be read in many layers , as a personal ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York