Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
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Síða 175
... context of the global film - producing machine is being critically interrogated , I argue that we need to retain the specificity of national cinema in order to identify the way in which national and diasporic audiences engage with films ...
... context of the global film - producing machine is being critically interrogated , I argue that we need to retain the specificity of national cinema in order to identify the way in which national and diasporic audiences engage with films ...
Síða 239
... context in which it first appeared . A theme that recurs throughout Wimal Dissanayake's anthol- ogy on Asian melodrama is the anxiety to extrapolate Western melodrama theory to the study of films produced in a context where an ...
... context in which it first appeared . A theme that recurs throughout Wimal Dissanayake's anthol- ogy on Asian melodrama is the anxiety to extrapolate Western melodrama theory to the study of films produced in a context where an ...
Síða 241
... context . This solution simply points to the actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the ...
... context . This solution simply points to the actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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