Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 151
... concept of a scene seems woefully inadequate to delineate what , exactly , goes on in the film . In the first situation described , then , the encounter with a figure— an entity we might normally call a character - allows us to experi ...
... concept of a scene seems woefully inadequate to delineate what , exactly , goes on in the film . In the first situation described , then , the encounter with a figure— an entity we might normally call a character - allows us to experi ...
Síða 175
... concept of global cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to particularly situated audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to ...
... concept of global cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to particularly situated audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to ...
Síða 256
... concept she calls virtual orientalism . At the center of her analysis is what Iwamura calls " the Oriental Monk , " a figure who is now ubiquitous in Ameri- can popular culture . The Oriental Monk is represented as a mys- terious ...
... concept she calls virtual orientalism . At the center of her analysis is what Iwamura calls " the Oriental Monk , " a figure who is now ubiquitous in Ameri- can popular culture . The Oriental Monk is represented as a mys- terious ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York