Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 2Indiana University Press, 2010 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 155
... character ( if such appella- tions apply ) , the murderer Gary Gilmore . In fact , at the end of that film , that ... characters in these two films has been interrupted , if not obfuscated . Further , even if one were to agree with ...
... character ( if such appella- tions apply ) , the murderer Gary Gilmore . In fact , at the end of that film , that ... characters in these two films has been interrupted , if not obfuscated . Further , even if one were to agree with ...
Síða 167
... character in action . ” This , obviously , is a sort of language that succinctly describes performative character . Also , in the film - within - the - film , “ The Order , " the " characters " from CREMASTER 3 are named , retroactively ...
... character in action . ” This , obviously , is a sort of language that succinctly describes performative character . Also , in the film - within - the - film , “ The Order , " the " characters " from CREMASTER 3 are named , retroactively ...
Síða 253
... characters as victims ; ideas function as the melodrama's actual villain , even if " the characters themselves unwittingly collude to become their agents . " 27 Even though Cruz oppresses both Silvano and Bibiana directly , what keeps ...
... characters as victims ; ideas function as the melodrama's actual villain , even if " the characters themselves unwittingly collude to become their agents . " 27 Even though Cruz oppresses both Silvano and Bibiana directly , what keeps ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore genre Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc suffering symbolic Theo theory tion touch trans Transgression unhappy consciousness University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York