Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 172
... audiences , they remain committed to producing films that primarily address their Mexican audiences by focusing on the rep- resentation of local identities . Both films have garnered national and international acclaim : Sin dejar huella ...
... audiences , they remain committed to producing films that primarily address their Mexican audiences by focusing on the rep- resentation of local identities . Both films have garnered national and international acclaim : Sin dejar huella ...
Síða 175
... audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to " encode cultural - political messages about the larger soci- ety . " Although allegorical strategies can be found in many films and film practices ...
... audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to " encode cultural - political messages about the larger soci- ety . " Although allegorical strategies can be found in many films and film practices ...
Síða 182
... audiences or just does not draw their interest . And , of course , these two melodramas could be interpreted by international audiences as stories about violence against women in general . My interest , however , is the way in which the ...
... audiences or just does not draw their interest . And , of course , these two melodramas could be interpreted by international audiences as stories about violence against women in general . My interest , however , is the way in which the ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York