Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 215
... appears in the background a series of tableaux borrowed directly from the photographs that brought the Abu Ghraib ... appear , again , the words " Homeland Security . " These images , plucked straight from the ongoing reality of the ...
... appears in the background a series of tableaux borrowed directly from the photographs that brought the Abu Ghraib ... appear , again , the words " Homeland Security . " These images , plucked straight from the ongoing reality of the ...
Síða 229
47 " 46 Lenin's statement that appears as an epigraph to this essay , that " [ e ] thics and aesthetics are one and the same . Wittgenstein explains the assertion by suggesting that both ethics and aesthet- ics correspond to what he ...
47 " 46 Lenin's statement that appears as an epigraph to this essay , that " [ e ] thics and aesthetics are one and the same . Wittgenstein explains the assertion by suggesting that both ethics and aesthet- ics correspond to what he ...
Síða 233
... appear at the conclu- sion following the main body of the credits . 27 Miriam intones the words during a death ritual for Julian ( Juliette Moore ) . Later , Jasper says , “ Kee , your baby is the miracle the world's been waiting for ...
... appear at the conclu- sion following the main body of the credits . 27 Miriam intones the words during a death ritual for Julian ( Juliette Moore ) . Later , Jasper says , “ Kee , your baby is the miracle the world's been waiting for ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York