Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 173
... aesthetic of violence that appeals directly to a globally identified audience . Consider the following reviews ... aesthetic that favors " wrenching impact , non - stop drive and unpredictability " over films that exhibit a " restrained ...
... aesthetic of violence that appeals directly to a globally identified audience . Consider the following reviews ... aesthetic that favors " wrenching impact , non - stop drive and unpredictability " over films that exhibit a " restrained ...
Síða 184
... Aesthetic of Hyper - real Violence : Pulp Fic- tion and Other Visual Tragedies , " Social Identities 1 , no . 2 ( 1995 ) : 333–54 , quotation on 338 . 9 Ibid . , 337 . 10 Ibid . , 338–39 . For example , Giroux describes the way in which ...
... Aesthetic of Hyper - real Violence : Pulp Fic- tion and Other Visual Tragedies , " Social Identities 1 , no . 2 ( 1995 ) : 333–54 , quotation on 338 . 9 Ibid . , 337 . 10 Ibid . , 338–39 . For example , Giroux describes the way in which ...
Síða 229
... aesthetic . Whereas a wide range of critics academic and popular have displaced their moral , aesthetic , and political panic onto the proliferation of the image in the postmodern era , as W. J. T. Mitchell avers , visual cul- ture ...
... aesthetic . Whereas a wide range of critics academic and popular have displaced their moral , aesthetic , and political panic onto the proliferation of the image in the postmodern era , as W. J. T. Mitchell avers , visual cul- ture ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York