Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 188
... actual and a virtual : the virtual image is not psychological , but has a sepa- rate , objective and even historical existence " preserved through time . " 18 Whereas for Deleuze the time - image enters into serial rela- tion with its ...
... actual and a virtual : the virtual image is not psychological , but has a sepa- rate , objective and even historical existence " preserved through time . " 18 Whereas for Deleuze the time - image enters into serial rela- tion with its ...
Síða 189
... actual image as the same , but he also writes that the image is constituted by a " circuit " between the actual and the virtual that functions as its " internal limit . " 23 Hansen's formulation hopes to get beyond this internal limit ...
... actual image as the same , but he also writes that the image is constituted by a " circuit " between the actual and the virtual that functions as its " internal limit . " 23 Hansen's formulation hopes to get beyond this internal limit ...
Síða 241
... actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the anxiety that Brooks postulates ( and if melodrama ...
... actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the anxiety that Brooks postulates ( and if melodrama ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York